Het anti-theater van Antonin Artaud. Een onderzoek naar de veralgemeende artistieke transgressie, toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio
Gent: Academia Press, 2008
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E-Book
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What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ultimately, this transgressive programme ends in discouragement and self-sabotage. Such an 'anti-theatre' has been explored most extensively in the writings of the French director and essayist Antonin Artaud. A careful exploration of Artaud's work, emphasizing his actual theatrical productions, shows that this paradox does not necessarily lead to a dead end. Generalized transgression may lead to a theatre that belongs more to philosophy than to art itself.
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Het anti-theater van Antonin Artaud. Een onderzoek naar de veralgemeende artistieke transgressie, toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio
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Autor/in / Beteiligte Person: | Crombez, Thomas |
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Veröffentlichung: | Gent: Academia Press, 2008 |
Medientyp: | E-Book |
Umfang: | 336 |
ISBN: | 978-90-382-1273-9 (print) |
DOI: | 10.26530/OAPEN_365431 |
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