L’objet de l’art : Cassirer et Fiedler
In: Recherches Germaniques, Jg. 51 (2021-12-01), S. 137-156
Online
academicJournal
Zugriff:
This paper aims to understand why Ernst Cassirer never published his short but far-reaching reflections on Konrad Fiedler’s theory of art. While both thinkers do share a vision of art as a way to shape (and not simply to imitate) reality, I suggest that they have very different conceptions of artistic objectivity: Cassirer emphasises the symbolic (and therefore cultural) nature of the work of art; Fiedler focuses on the creative process itself, conceived of as an endless elucidation of visibility. In so doing, I demonstrate that Fiedler’s doctrine is not fully compatible with the philosophy of symbolic forms – hence perhaps Cassirer’s reluctance to address the issue publicly.
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L’objet de l’art : Cassirer et Fiedler
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Autor/in / Beteiligte Person: | Mermet, Rémi |
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Zeitschrift: | Recherches Germaniques, Jg. 51 (2021-12-01), S. 137-156 |
Veröffentlichung: | Presses universitaires de Strasbourg, 2021 |
Medientyp: | academicJournal |
ISSN: | 0399-1989 (print) ; 2649-860X (print) |
DOI: | 10.4000/rg.7583 |
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