Frammenti di massificazione: le neoavanguardie anglo-germanofone, il cut-up di Burroughs e la pop art negli anni Sessanta e Settanta
In: Biblioteca di Studi di Filologia Moderna; (2020)
Online
E-Book
- 270
Zugriff:
Frammenti di massificazione: le neoavanguardie anglo-germanofone, il cut-up di Burroughs e la pop art negli anni Sessanta e Settanta analyses the influence of William Seward Burroughs’ cut-up method on British and German-language neo-avant-gardes of the 1960s and 1970s from a comparative point of view, with particular attention to the literary context of the Federal Republic of Germany. In four chapters devoted to a profile of this American intellectual and artist, the origins, stylistic features and reception of the cut-up method, the author investigates the reasons for the success of this process, rediscovered by Burroughs and aiming at a reconstruction of text fragments to build up new textual entities. The last chapter is an overview of the most interesting of the uses of the cut-up method in artistic environments other than literary writing, documenting the transformation of a rebellious technique into a new form of expression, i.e. pop art.
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Frammenti di massificazione: le neoavanguardie anglo-germanofone, il cut-up di Burroughs e la pop art negli anni Sessanta e Settanta
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Autor/in / Beteiligte Person: | Bacherini, Gabriele |
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Quelle: | Biblioteca di Studi di Filologia Moderna; (2020) |
Veröffentlichung: | Florence: Firenze University Press, 2020 |
Medientyp: | E-Book |
Umfang: | 270 |
ISBN: | 978-88-5518-131-0 (print) ; 978-88-5518-132-7 (print) ; 88-5518-131-9 (print) ; 88-5518-132-7 (print) |
ISSN: | 2420-8361 (print) |
DOI: | 10.36253/978-88-5518-131-0 |
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